Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
faccia a faccia - traduzione in italiano
![A man sits atop a dead horse in [[Sheboygan, Wisconsin]]. The idiom "to beat a dead horse" originated from the fact that flogging a dead horse will not compel it to do useful work.](https://commons.wikimedia.org/wiki/Special:FilePath/Man sitting on a dead horse (1876 - 1884) (retouched).jpg?width=200 "A man sits atop a dead horse in [[Sheboygan, Wisconsin]]. The idiom \"to beat a dead horse\" originated from the fact that flogging a dead horse will not compel it to do useful work.")
Definizione
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Wikipedia
Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Hallelujah, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.
The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.
A major success at the European box office, Face to Face has received praise from critics and scholars of the Spaghetti Western genre for its story and acting, although some criticism has been leveled at the execution of Fletcher's character arc. Sollima considered it to be one of the best and most personal of the films he directed.
